2018-12-21

 

Hey City Zen of 2018

Was I busy in 2018! Still another great year for music! I am sure I missed really great stuff, but here is the best City Zen of the year. I thought of this list without seeing anybody else's best-of lists, so I am sure some great stuff is missing, but this is what made my radar. I may update it if something great gets released before the end of the year. Top 25 Albums, Top 99 Tracks, Top 31 Remixes/Edits (from E-Trash's DJ sets), Box Sets, and Live albums. The top tracks and remixes are assembled in a Spotify List as well. Update (January 15, 2019): I did not add Teymori's EP earlier because it is not a full album, but it has more great tracks than most albums these days. So I added a special best EP mention. Update (February 9, 2019): Added Tom Misch's Geography to best albums. Not sure how I missed this gem in 2018...

Top 27 Albums + 1 EP of 2018

There are definitely 5 albums that stood above for innovation, heart of just fun and which I listened the most to (alphabetically):

David Byrne - American Utopia
Chromeo - Head over Heels
Corine - Un air de fête
Rhye - Blood
Tracey Thorn - Record

The other 20 alphabetically:

Pedro Abrunhosa - Espiritual
Lily Allen - No Shame
ClaptoneFantast
Gal Costa - A Pele do Futuro
Carl CraigVersus
Dead Combo - Odeon Hotel
Baxter Dury, Etienne de Crecy, Delilah Holiday - B.E.D.
Florence and the Machine - High As Hope
David Fonseca - Radio Gemini
Amerigo Gazaway - Nina Simone & Lauryn Hill - The Miseducation of Eunice Waymon
Chilly Gonzalez - Other People's Pieces
Gorgon City - Escape
Gorillaz - The Now Now
Jungle - For Ever
Kronos Quartet and Laurie AndersonLandfall
MarizaMariza
Tom Misch - Geography
Janelle Monáe - Dirty Computer
Meshell NdegeocelloVentroloquism
Jimi Tenor - Order of Nothingness
Paul Weller - True Meanings
Young Fathers - Cocoa Sugar

Special Mention for best EP: Teymori - Teymori


Top 99 Tracks of 2018

The best way to display this is via a Spotify list which also includes the remixes below (in no particular order):



Top 31 Remixes and Edits of 2018


So many great remixes and edits this year. There were definitely 4 remixes above the rest, which took the original into another place of excellence. All remixes, edits and mashups below elevate the originals either into a whole different place or their distilled essence.  It is great when a track has two great lives, which is a remix at its best:

David Fonseca Get Up (Moullinex Remix)
Sophie Lloyd feat. Dames Brown - Calling Out (Danny Krivit Edit)
Paul Simon - Graceland (MK & KC Lights Remix)
Sylvester - I Need Somebody To Love Tonight (Psychemagik Remix)

The remaining awesome remixes alphabetically:

Dave Aju & thatmanmonkz - They Sleep we Love (Sec's Bay Area Remix)
Bobby D’Ambrosio feat. Michelle WeeksThe Day (Alaia &Gallo Remix)
Cardi B - I Like It (Dillon Francis Remix)
Christine And The Queens feat. DÃm-Funk - Damn, Dis-Moi (Gerd Janson's Balearic Remix Edit Version)
Christine And The Queens feat. DÃm-Funk - Damn, Dis-Moi (Palms Trax Remix)
Claptone feat. Ben Duffy & Pirupa - Stronger (Pirupa Remix)
Leonard Cohen - You Want it Darker (Solomun Remix)
Carl Craig with  Francesco Tristano, Les Siecles, and Francois-Xavier Roth -The Melody (Henrik Schwarz Remix)
The Chuck Davis Orchestra - Spirit of Sunshine (Holy Ghost! Remix)
Charlotte Gainsbourg - Ring-A-Ring O'Roses (Sebastian "On the Beat" Remix)
Calvin Harris feat. Dua Lipa - One Kiss (Oliver Helden's Extended Remix)
Jungle - Beat 54 (Krystal Klear 12" Mix)
Janelle Monae - Make Me Feel (Moullinex Edit)
Morcheeba - It's Summertime (Lindstrom & Prins Thomas Remix)
Kelly Lee Owens - Bird (Prins Thomas Diskomiks DJ Edit)
Polo & Pan - Mexicali (Simple Symmetry Remix)
Powerdance - A Safe and Happy Place (JKriv Remix)
Purple Disco Machine - Encore (Mousse T. Remix)
Red Rack'Em - Wonky Baseline Disco Banger (Greg Wilson Edit)
Paul Simon - The Boy In the Bubble (Richy Ahmed Remix)
Nina Simone & Lauryn Hill - Care For What (Amerigo Gazaway Mashup)
Shit Robot - Rotation (Vin Sol Remix)
Tracey Thorn - Dancefloor (Pearson and Lindblad Italo Remix)
Tinush (feat. Aretha Franklin) - Struggle (Franky Rizardo Acid Mix)
Weiss - Feel my Needs (Gorgon City Extended Mix)
Xinobi - See Me (Ali Kuru Remix)
Xinobi - Skateboarding (Kraak & Smaak Remix)

Best Box Sets of 2018

David Bowie - Loving the Alien (1983-1988)
Soft Cell - Keychains & Showstorms

Best Live Albums of 2018

The best live show of the year was definitely David Byrne's America Utopia tour---probably one of the best live shows ever. The recent live recording of some of its stops does not capture the visual brilliancy of the show, but is still a great live record on its own:

David Byrne - "...The Best Live Show Of All Time” —NME

The other two live recordings that stood out in 2018 are:

David Bowie - Glastonbury 2000
Prince - Piano & a Microphone 1983


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2018-12-20

 

Optimism is Majority Rule

Thinking about Bret Stephen's comparison of Trump and Warren, it is obvious that there are so many differences between Trump's and Warren's views of a rigged system based on fact---and no, the left was never unified against truth, from Popper to Paglia. Despite Stephen's rhetorical sleight of hand about Warren's own success in a rigged system, fact-based statistics show the US lags far behind Europe in class mobility, mortality rates for the poor, access to higher-education, imprisonment of minorities and the poor, etc, etc. But the most important aspect in all of this is that Warren's view is coherent with the views of a majority of Americans (see the polls), whereas the views of Trump and the GOP are only supported by a minority. Nothing screams more loudly about how rigged the US political system is than the fact that every branch of power in past couple of years (until January) has been controlled by a party that represents a minority of Americans. In France this would lead to revolution, but here conservatives like Mr. Stephens want to obfuscate this fundamental undemocratic truth with calls of more "optimism." We will be optimist when majority rule is again the state of the nation. Until then, we must do all we can to unrig the system.

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2018-12-12

 

Orwell, Nationalism and Film

I have always been (deeply and seriously) patriotic for several places and ways of living---Portugal, USA, Portuguese-speaking World, English-speaking World, even patriotic for Disco and Punk---but I have never been a nationalist for anything. Indeed, I have always been fiercely anti-nationalist in the ways so eloquently expressed by George Orwell (whom I only consider marginally second to Graham Greene and Fernando Pessoa):

"By ‘nationalism’ I mean first of all the habit of assuming that human beings can be classified like insects and that whole blocks of millions or tens of millions of people can be confidently labelled ‘good’ or ‘bad’(1). But secondly — and this is much more important — I mean the habit of identifying oneself with a single nation or other unit, placing it beyond good and evil and recognising no other duty than that of advancing its interests. Nationalism is not to be confused with patriotism. Both words are normally used in so vague a way that any definition is liable to be challenged, but one must draw a distinction between them, since two different and even opposing ideas are involved. By ‘patriotism’ I mean devotion to a particular place and a particular way of life, which one believes to be the best in the world but has no wish to force on other people. Patriotism is of its nature defensive, both militarily and culturally. Nationalism, on the other hand, is inseparable from the desire for power. The abiding purpose of every nationalist is to secure more power and more prestige, not for himself but for the nation or other unit in which he has chosen to sink his own individuality."


The recent excellent (doubleplusgood) article by Kanishk Tharoor is a fantastic piece on nationalism in film from a similar viewpoint, but emphasizing the historical errors that the nationalist lens imposes when we look back at pre-nationalist human experience:

"It is a pity that so many historical films feel so obliged to place the imagined nation at their emotional core. That not only distorts understandings of the past, but it suggests that the past can only be relevant and interesting if it supports conventions of the present."


Ultimately, Orwell's 1984 was about the end of history, when historical facts are easily re-written to adapt to the present circumstances. Fake news are not a modern invention. Doubleplusungood. Which allows me to plug in also one of my favorite songs (and albums) from the Eurythmics' 1984 soundtrack.






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